264 for possible quality though much bigger in file size. Since DNxHD is made by Avid, and ProRes is made by Apple, it makes sense that DNxHD would work better on Media Composer and ProRes would work better on Final Cut Pro X. 1 Correct answer. See Avid DNxHD Notes for more information. The Apple ProRes 4444 Codec Family, comprising Apple ProRes 4444 and Apple ProRes 4444 XQ, are proprietary, lossy compressed, high quality video intermediate codecs designed to support high-dynamic-range imagery and motion graphics. Not so much for the colour space, but more so for editing - short of transcoding to something smaller in compression/screen size at post production stage, I'm wondering if DNxHD is less resource intensive and can play a lot better on a Mac. Key Features. Agreed with Pat on ProRes vs DNxHD - they're very similar. the UHD 10-bit 422 400Mbps ALL-I mode is likely to be roughly equivalent to UHD Prores 422 which is 471Mbps. It was shot on film and has special scenes to test codecs. Report. Have to do some more tests. Remember, you'll switch to the main material for finishing. for use in post-production that supports video resolution up to 8K. recent versions of ffmpeg are at least able to read dnxhr. Convert H. This was met by industry professionals with a mixture of excitement and incredulity. io Quality and Performance When it comes to quality, both ProRes and DNxHD deliver impressive results. Thank you! Pro Res is a codec, MXF is a container. 97 fps. One of the most appreciated post-production tools by Apple, Final Cut Pro X, can easily convert MP4 to ProRes without using any other third-party program. In terms of the GH5, it means that: the 1080p 10-bit 422 200Mbps ALL-I mode is likely to be roughly equivalent to 1080p Prores HQ which is 176Mbps. ProRes 4444 XQ是ProRes家族最新的成员，它是一个非常专业高质量的格式，专为高端后期工作流程和设备而设计。 DNxHD/HR. 此格式是基于DCT标量的 帧内编码器，其中每一帧都独立存储，可在不依赖于其他帧的情况下进行解码。 因此比诸如H. ProRes 是一种中间编解码器，这意味着它们用于影片编辑期间，而不是用于实际观看。. for use in post-production that supports video resolution up to 8K. 14. Like cineform, it will automatically adapt to a wide variety of frame sizes and frame rates. Source is a test file prepared to evaluate quality of DCP systems. mov, can. 264, as they maintain quality during editing. Also, the DNxHD family was inferior to ProRes due to it’s constant bitrate, forcing you into certain acceptable resolutions based on the flavor. . Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Practically, there's some issues with DNx out of Resolve being interpreted in the correct color space in Premiere, but unless you're roundtripping with Premiere, that's not really a concern. 1. Besides, as far as I know the Ninja V can't record 12-bit unless you're recording to a raw. DNxHD145 is similar to ProRes, DNxHD100 is similar to ProResLT, and DNxHD36 is similar to ProResProxy. Hollywood, California 90038 USA. Should you use Prores LT or 422, or DNxHD 145? For 1080p work, I recommend XAVC S over either Prores 422 or LT, or DNxHD 145. Community guidelines. Prores is actually based on DNxHD. About ~2dB lower, and it's visible to the naked eye. cancel. Tue Jul 26, 2016 10:42 pm. This is a one-time activation for the life of the product. Please use Quicktime MOV. And in the Adobe World, you'll always output using the full quality material. ProRes 422 HQ: is a higher-data-rate version of Apple ProRes 422 that remains visual quality as same high as Apple ProRes 4444 but at. 10-bit 4kp60 Apple ProRes or Avid DNx for extended recording For the first time in a mirrorless camera from Sony there is also a 10-bit 422 HDMI video output option available. Each one has a few quality levels. ProRes 4444 uses 4:4:4 color sampling to encode RGB log film scans, and a higher bit rate (less compression) than the ProRes 422 codecs. 1. ProRes 422HQ vs DNxHR HQX vs and DNxHR HQ in 4K and DNxHD 220x in FullHD. ProRes HQ and DNxHD are so close I haven't bothered testing them both. Cineform, DNxHD/HR, and ProRes are all cross platform, visually lossless, professional quality "mezzanine" (some editors refer to them as "intermediate") codecs. Nothing wrong with it, just that the computer will have to work harder to decode H264 than if it was cineform/prores/dnxhd. 2 or later for DNxHD/HR. 26x 和 MPEG. DNxHR files are available in a range of quality standards for different purposes: DNxHR LB – Low Bandwidth (8-bit 4:2:2) Offline Quality Choose an output folder and convert H264 to DNxHD. 264 instead (at the same data rate). Guys I am thinking about moving over to media composer, my main objection to continuing to. Guys I am thinking about moving over to media composer, my main objection to continuing to. 264 or an mpeg based codec. Notionページ：ProRes vs DNxHR vs GoPro CineForm vs Grass Valley 比較. Apple ProRes formats, Kakadu jpeg2000 formats (including Dolby P3D65) Apple ProRes formats, Kakadu jpeg2000 formats. 709 video at up to 4Kp60 into production ready ProRes or DNx codecs. Posts: 357; Joined: Tue Aug 06, 2013 1:29 pm; PRO RES VS DNxHD. Since it doesn't use QuickTime as wrap (or need qt32 server which creates a bottleneck ), OP1 render / exports about 2X as fast. Compressor 4. AJRubenstein wrote: The problem occurs with every flavour of DNxHD, in every combination I can think of - even when varying the levels, etc. 12 posts • Page 1 of 1. On top of this alpha channel in DNxHR is uncompressed, where in ProRes it's mathematically lossless compression,. Author; Message; Steve DiMaggio. Better detail and colour. 264 for possible quality though much bigger in file size. It is especially useful for PC users and is overall a great codec. I have same problem with ProRes 444 from Premiere Pro. Quick question: what are the advantages of using the most common non long-GOP codecs for editing (DNxHD/DNxHR and Prores) vs intra-frame H. When comparing DNxHD vs. It has a target data rate of 102 Mbps. Thu Mar 30, 2023 6:16 am. Each one has a few quality levels. VBR and many claim that VBR is always better, since it distributes bitrate among frames. Avid DNxHR, which stands for "Digital Nonlinear Extensible High Resolution", is a lossy UHDTV post-production codec engineered for multi-generation compositing with reduced storage and bandwidth requirements. BMD already acknowledges this as the proxy settings in. A quick test of the old (ProRes and DnxHR) vs new (H. Avid makes DNxHD/HR slightly less attractive by making it natively 8bit, forcing you use an HQX flavor with a higher data rate for 10bit, making it mildly less efficient. On a PC, the Cineform 10-bit YUV or DNXHD/R options are both quite high in quality. Apple ProRes is a high quality, "visually lossless" lossy video compression format developed by Apple Inc. 97i (aka 29. I recently g. If you’ve ever tried to edit H. Apple ProRes 4444 is a high-quality solution for storing and exchanging motion graphics and composites, lossless alpha channel up to 16 bits. As far as I'm aware DNxHR is for greater than HD resolutions, you seem to be working in an HD format so DNxHD might be adequate? I've literally just switched from encoding my H. Generally, video editing applications can work more nimbly with such media, and it can sometimes help to coerce esoteric source media from odd formats, or troublesome. Turn on suggestions. 1920x1080 (50i) 16:9. Click "Folder" button in the Output bar, and select a destination folder to save the result DNxHD encoded files. On the other hand, you have to use prores 4444 if you want an embedded alpha channel, which is supported in every DNx flavor. Apple ProRes. In terms of the GH5, it means that: the 1080p 10-bit 422 200Mbps ALL-I mode is likely to be roughly equivalent to 1080p Prores HQ which is 176Mbps. 6 (about 21 seconds). But since this question pertains to whether ProRes4444 or DPX is better for VFX, I’ll give it a try here. Making proxies in Premiere – in this case the ProRes Medium preset creates a 720p file with the ProRes 422 Proxy codec. Ryan Provost. Output a self-contained ProRes file of your longplay screening cut. I use DNxHD and DNxHR codecs to share deliverables from DaVinci Resolve in the highest quality possible. Votes. That response about ProRes vs DNXHD is misinformed. . Apple ProRes Resolution & Framerate ProRes LT ProRes 422 ProRes HQ 1080p24. I’ve seen DNxHD/HR be slightly more performant than ProRes, but ProRes is far more user friendly. mov Prores Ultra (for VFX and keeping Alpha Channel). Community guidelines. Smart Rendering is a "workflow" to export files 20 times faster by using your preview files to assist the export. So for example at 1080i59. ProRes is worse than DNx in every way. These are the basic settings. ProRes and DNxHD/R are codecs. There is no 8-bit ProRes. FFmpeg를 사용하여 ProRes로 재 인코딩 하는것은 가능하기는 하나 PC에서 매개코덱은 Prores 보다 많은 프로그램들이 지원하는 DNxHD나 오픈소스이기도 한 시네폼을 사용하는것이 낫다. A quick overview of the target data rates for ProRes, DNxHD, and DNxHR in Megabits per second (Mb/s). Source: I just mastered my doc using DNxHD. It is the successor of the Apple Intermediate Codec and was introduced in 2007 with Final Cut Studio 2. So different Prores levels (422 proxy, 422 LT, 422, 422 HQ, 4444) mean the quality/compression levels. Not so much for the colour space, but more so for editing - short of transcoding to something smaller in compression/screen size at post production stage, I'm wondering if DNxHD is less resource intensive and can play a lot better on a Mac. Prores a little bit better than Cineform. . RGB outputs look correct on my MAC at work, but they look super light on my PC at home, whereas 709 outputs look correct on my PC but severely. Neil. DaVinci Resolve is very capable even for free, but you need the right hardware! Studio 18. Either are fine, you're hard pressed to see the differences unless you have challenging content or zoom in , or are used to seeing these things. Cineform, DNxHD/HR, and ProRes are all cross platform, visually lossless, professional quality "mezzanine" (some editors refer to them as "intermediate") codecs. At equivalent bitrates, the quality is similar but the decoding performance is much better. I'm slowly getting really annoyed, that Vegas Pro still doesn't have DNxHR and DNxHD support, most on camera recorders output in ProRes and DNxHR today and Vegas Pro still not having support for it is a disgrace, I don't want to switch away from Vegas Pro, but always needing a second. 444 + small compression ratio difference. This. ago. By Angelo Lorenzo | Adobe, Apple, Software | 9 Comments. 14. Now, just because you can upload uncompressed HD doesn’t mean you should. Terence Curren of Burbank, CA based Alpha Dogs aptly pointed out a flaw in that I was comparing an 8-bit format to ProRes HQ and GoPro Cineform which are 10-bit formats. In this video I compare the apple prores and DNxHD codecs on my Atomos Shogun recorder. Wildly used in post: higher compression for editing and lower for finishing. DNxHD 220 is higher bitrate. It is not significant. I’ve been doing some tests of Same-As-source quicktime exports, comparing DNxHD vs ProRes footage. It’s most suitable for VFX work, Chroma Keying and heavy color grading manipulations. The place for questions about shooting with Blackmagic Cameras. DNxHR is slightly better than DNxHD. So, if you want to compare codecs like ProRes vs DNxHD, ProRes vs Cineform, DNxHD vs. The format in which you are smart rendering determines the option to smart render in these special cases. Report. MXF should work as that is also SONY. April 28, 2015 at 4:23 pm. This is only available on the Mac version of Media Composer. Location: 1146 North Las Palmas Ave. Comparing Apple ProRes LT, 422, HQ vs Avid DNxHR LB, SQ, HQ, HQX. com and includes DNxHD with four levels of compression (220x, 220, 145, 36) and DNxHR for 4K/UHD inputs with four levels of compression (HQX, HQ, SQ and LB). There is no 8-bit ProRes. 264 High 420 8-bit, H. The only officially. I will take my equipment outside and do some daylight shots and run the same tests that you did. Avid DNxHD. DNxHR doesn't have the strict specs that DNxHD has so they can be different, but don't have to be. 1091 posts • Page 20 of 22 • 1. You may be surprised to find out that YouTube will even accept high quality video formats like ProRes, DNxHD and uncompressed 10-bit HD video. Pro Filmmaker Apps is a curated database that can help you get a job done a little better or a little faster. When I was using DNxHD as the export choice out of AE, I found whe. If we receive something different than that we use media encoder to format it to ProRes Proxy 1920X1080. Because ProRes is developed by Apple they have officially restricted the ability to. They are a format to contain other data. Pro Filmmaker Apps is a curated database that can help you get a job done a little better or a little faster. Codec differences DNxHR and ProRes was optimized to be visually lossless through many generations of decoding and re-encoding. ProRes and DNxHD/R are codecs. The other option that is used with prores is the -pix_fmt option. DNxHD files come in several versions, including DNxHD 36, which is suitable for low-resolution editing, and DNxHD. Click to open the Video encoder drop-down list and select your wanted ProRes type: ProRes 422 HQ, ProRes 422, ProRes 422 LT, ProRes 422 Proxy, ProRes 4444 XQ, and ProRes 4444. Watch on. The only thing you can't do is render a new ProRes file. Activity › Forums › VEGAS Pro › Avid DNxHD vs ProRes for Vegas Editors. 0. See the DNxHD example above. If its a feature, try to break it up into 20ish minute reels. . Watch on. brycedouglass • 2 yr. Let's say my original footage is H264. DNxHD is definitely more CPU friendly on my laptop. DV only works in two formats: 480i59. Reply. Video Codec: DNxHR/DNxHD. A codec is a specific schema for encoding video or audio data. It's just 422 vs. Avid DNxHD. I know in the past ProRes sucked because it - 9759274. Resolve handles both fine. 264. 264, which requires rather more CPU decoding. It has a target data rate of 102 Mbps. LB (roughly equivalent to ProRes Proxy) SQ (roughly equivalent to ProRes LT) HQ (roughly equivalent to ProRes 422) HQX (roughly equivalent to ProRes 422HQ) 444 (you guessed it, roughly equivalent to ProRes 444) Both the 444 and HQX variants use 10-bit color in HD or less, and either 10 or 12-bit color at 2K/UHD/4k resolutions. This gives you the most room for correction. YUV 4:4:4 10-bits: -pix_fmt yuv444p10 -c:v dnxhd -profile:v dnxhr_444 dnxhr-yuv444p10. Apple ProRes is a high quality, "visually lossless" lossy video compression format developed by Apple Inc. DNxHR HQX, DNxHR HQX MXF, DNxHR SQ, DNxHR SQ MXF, DNxHR LB, DNxHR LB MXF for 2K. Avid DNxHR、DNxHD、Avid Resolution Independence を使用することで、ハイレゾ・メディアでの作業時に生じる課題に対応し、4K や 8K コンテンツの需要が高まる中、最も厳しい納期に対応し、創造性を発揮しつつも作業スピードを上げて進めることができます。According YouTube below X-H2s only one camera provide built-in internal Apple ProRes 422 LT video recording feature. DaVinci Resolve 15 BETA Supported Formats and Codecs 2. MXF OP-Atom mxf Apple ProRes Yes – Yes – Yes – MXF OP-Atom mxf DNxHD 1080i 100 8 bit Yes Yes Yes Yes Yes Yes 1 With watermark without easyDCP license. ProRes 444 is 12-bit. Common as an editing and. Download and info for Video Space Calculator. mov is just a wrapper, and the CODEC inside the wrapper dictates how it performs. 264 YouTube Environment!-~-~~-~~~-~~-~-Please watch: "Music Video Spee. ago. DeCrescenzo wrote: My BMPC-4K camera records ProRes HD/UHD (HQ, 422, LT, Proxy) and RAW 4000 x 2160. So for example if you were to decode prores raw to some colorspace that either clamps some values or produces values above 1. Hello, we have an issue on the Premiere cc 2018 and Media Encoder. h264 is fine for normal playback, but in h264 compression the frames are compressed in groups instead of individually, which makes frame-accurate editing pretty difficult. While there's no Bayer sharpening or denoising options in this workflow vs ACR or Resolve 10, I am impressed with the quality and time to process files directly to ProRes HQ (tested so far on my MBP laptop- will work well for on set processing). 265 would retain more data than ProRes, but I was surprised that it does so well with just 1/5 the data. The numbers of DNxHD refer to the bit rate of the file. ago. Prores works better on a Mac. New Atomos Ninja / Ninja Ultra. Note that not all of these formats are actually supported with prores). ProRes 422HQ vs DNxHR HQX vs and DNxHR HQ in 4K and DNxHD 220x in FullHD. The place for questions about shooting with Blackmagic Cameras. On February 13, 2008, Avid reported that DNxHD was approved as compliant with the SMPTE VC-3. 264/H. Either way, these AudioSport tools are similar to ffWorks, described earlier in that they are graphic User Interface apps that use the free FFmpeg libraries to do the actual. A quick comparison between each of the 4k codecs offered on the Atomos Ninja V. This is where the points I was making about delivery come into play. I do have an unrelated question though - I am very interrested in purchasing a GoPro 3 Black edition - we actually sold our GoPro Hero2 just the other. Video Output: RGB+Alpha. As opposed to say the long-GOP (group of pictures) format H. Playback only of ProRes 4444 QuickTime up to 2160p60 with auto routing of fill and key over SDI A and B outputs. We’re making this change to improve playback and export times when working with rendered preview files. BluRay allows for MPEG-2 at 50M, but most commercial BluRays produced after about 2008 or so used H. With ProRes the. 7. It's even better than the original AVID nomenclature, because it isn't obvious that DNxHD 185x is a 10-bit codec, unless you know the official specs (see attached). 265, where there are only complete. You will also likely encounter DNxHR again and. atomos. Please preserve the resolution, aspect ratio, frame rate, and color space of your project. Apple ProRes 4444 XQ and Apple ProRes 4444 are intended to support 4:4:4:4 RGB+AlphaProres is an intraframe codec, meaning each frame is encoded individually. Even custom 3rd party PC Prores decoders aren't as fast as native Mac PR decoders. 264 Original Analysis; Deep Drive: DNxHR and FFmpeg Transcoding. Finally, if you want a small file size and ease of editing, consider a lower-resolution ProRes or DNxHD file. ) Once you are finished your edit, export as an HQX file for your master. Shoot ProRes/DnxHD in "Film" (log) mode (like log mode on most popular cinema cameras) for projects that may benefit from a bit more DR at the "expense" of some additional required work in post. I have left Prores and DNxHD behind as mastering / intermediary codecs. ProRes is an excellent codec for editing and finishing. Like Apple ProRes, DNxHD was designed to retain as much image quality as possible while also making files easy to edit. Second, AMA/Importing ProRes at matched frame rate works great. DNx can (in any flavor) handle an. Therefore, you can absolutely master in the native format of your raw. Click OK. Neil. The Ninja V and other current Atomos monitor-recorders can record this as 10-bit 422 Log or Rec. If you're working on a project with a lot of footage, then Avid DNxHD may be a better choice due to its smaller file size. You won't want less than ProRes 422 HQ for final results anyway. Overview of video codecs & file formats a hybrid shooter will encounter with a practical emphasis on editing & storage. Re: ProRes to DNxHD. As a result, ProRes 422 offers even better real-time editing performance. Bit depth does not influence latitude, encoding colorspace does. 264, h. As opposed to say the long-GOP (group of pictures) format. Sun Dec 18, 2016 12:46 pm. Incl. - Is it ok to use a H264 file to edit - or will this impact the final export quality? What about H265? What audio settings would you suggest - Linear PCM or AAC - in this current export file, to then use to. The biggest advantage of DNxHD over Cineform is that DNxHD compatibility is much greater. There is prores 4444 variant as well, but I don't think it's supported by ffmpeg yet (for decoding either) ffmpeg's dnxhd encode is 8bit version, but it looks like the prores encode is the true 10-bit. Avid DNxHD (“Digital Nonlinear Extensible High Definition”) is a lossy high-definition video post-production codec developed by Avid for multi-generation compositing with reduced storage and. PRO RES VS DNxHD. Apple ProRes is built in to the NINJA V and offers three levels of compression (HQ, 422 & LT). Apple ProRes 422 LT is a more highly compressed codec than Apple ProRes 422, with roughly 70 percent of the data rate and 30 percent smaller. At this point in time working with Cineform basically locks you into using only Adobe tools. Incl. Im looking for maximum 4k performance. Optimized. Of course, it is a specialized pro-oriented GUI/frontend to work with ffmbc, but you could just pick up ffmbc yourself for free if you are OK with command-line apps. DNxHR was designed to fill the same need. MikeVideopunk. 1) Concerning Quicktime’s 32-bit nature – that shouldn’t really be a performance issue for a 1080 sized frame. Prores RAW will get you the most flexibility in the edit for coloring if your system can handle it - you need the plugin from Apple. I recently g. It will help you determine how much room you need in order to create an effective and professional-looking video. Trade your iPhone in for one that shoots ProRes. mp3. Performance and Quality of DNxHR & ProRes. DNxHR is an edit codec (like ProRes). That's not to say something weird isn't going on. I have encountered a couple of issues with ProRes files that are specifically PC related. り高くなっています。Apple ProRes 422 のターゲットデータレートは、1920x1080、29. We ask for ProRes Proxy 1920X1080. Avid DNxHD 175x 10-bit. I believe its PC vs MAC issue like ProRes vs DNxHD/GoPro Cineform. Peter J. If your on a PC, I would recommend using DNxHD. And while it has some level of support outside of Adobe applications, it is not as universally recognized as ProRes or DNxHD. It’s just straight ProRes (or HQ/etc). ProRes : Frame dimensions: Frame rate: Apple ProRes 4444 data rate: Apple ProRes 422 (HQ) data rate: Apple ProRes 422 data rate: Apple ProRes 422 (LT) data rate: Apple ProRes 422 (Proxy) data rate: 720 x 486: 23. These offer varying levels of compression that result in different file sizes. It’s most suitable for VFX work, Chroma Keying and heavy color grading manipulations. You have to transcode to DNxHD on export. DNxHR 444. Anything else is just an implementation decision, so up to BM. In most cases Quicktime is a bad idea on Windows machines, except GoPro Cineform. HD material proxys at DNxHD 36 should be equivalent to DNxHR LB (Low Bandwidth. Atomos Ninja V) November 1, 2018 in Nerdy Explanations. DNxHD 36, for example, is a low-bitrate option suitable for offline editing, while DNxHD 175X offers higher quality for online finishing. Bit depth influences the granularity, quantization. If your on a PC, I would recommend using DNxHD. A video editor should be able to tell you what codec everything is, or you can use MediaInfo to tell. DNxHD only supports the NTSC & PAL standards, so 29. 2) Our natives Prores are in 12 bits. Avid DNxHD vs. ProRes 422 LT. Avid used to use bandwidth values (36, 145, 175 etc) with the name of their codec. So I decided. Because companies publish their own specifications in different formats, it can be difficult to compare codecs directly. ProRes 422: This is the format I recommend for anyone shooting DSLR, HDV, AVCHD, XDCAM EX, XDCAM HD, AVCAM, or P2. Y si le. . Jello cam is greatly reduced, exposure latitude and exposure control is much better. Community guidelines. This is a one-time activation for the life of the product. DPX vs ProRes4444 for VFX. 144. Unless you guys are archiving on CD-ROMs or something. (ex. com and includes DNxHD with four levels of compression (220x, 220, 145, 36) and DNxHR for 4K/UHD inputs with four levels of compression (HQX, HQ, SQ and LB). Sat May 12, 2018 9:02 pm. With that, we’ll move on to. Long answer: Hardware manufacturers (cams, dvrs, atomos, gopro, etc) still encode their captures with these codecs, and we need them for compatibility of workflow projects. DNxHR is meant to be a. First look up the bitrate you need to set on this table based on the framesize, fps and desired quality level. DeCrescenzo wrote: My BMPC-4K camera records ProRes HD/UHD (HQ, 422, LT, Proxy) and RAW 4000 x 2160. 264 codec is widely used in video delivery/distribution. Containers have file extension like . Prores 422 HQ or DnxHR HQX 10-bit is decent too. Here is the CinemaDNG vs DNxHD 422 709 'Difference' test: Similar to the above, some glitches occur on encoding to DNxHD 4:4:4 with Color Levels set to 'RGB Levels'. 264/H. 264/265, both will be smooth. 2 or later for DNxHD/HR. This is a subreddit dedicated to Atomos products. This means, for light to medium grading with just one recompression step, XAVC S is perfectly fine. Take a compact broadcast-quality record/playback deck with you. It has become a capture camera codec too since the workflow and path to post, make it relatively painless and the compression is perceptually lossless. DNxHD 220x, DNxHD 220x MXF, DNxHD 145, DNxHD 145 MXF, DNxHD 45, DNxHD 45 MXF for 720p and 1080p HD formats up to 60fps. There are 2 versions of ProRes RAW, ProRes RAW and ProRes RAW HQ. Sat Apr 30, 2022 3:52 pm. I use Premiere Pro CC on a 27" Retina 5K iMac with 24GB memory. 709 or RGB. Choose it in the drop down, and hit the “Codec Settings” option. By Angelo Lorenzo | Adobe, Apple, Software | 9 Comments. Wed Jan 29, 2014 5:23 pm. Welcher Codec ist der besser, DNxHR oder ProRes?! Stößt DNxHR ProRes vom Thron? [DNxHR vs ProRes] Ich werde in jüngster Zeit immer öfter gefragt: Welcher is. Exporting out of one generation (camera originals) of H.